The thing I find truly fascinating about visual branding is the layers of meaning that can be brought into the design work.
Layers of meaning and symbolism can of course be used in all types of visual art, but in my opinion, it’s an especially important part of branding.
To be clear, what I mean when I talk about symbolism here is the use of imagery like the illustrations in your branding to represent ideas or qualities.
Symbols can come to mean something in retrospect, and that will be true for imagery used in your branding, that’s true for many big brands and was certainly true for my own logo design. Sometimes the image comes first and it gathers meaning as the brand grows.
But it’s also wonderful to make design decisions from the outset based on what has meaning for you as a business owner, and also what will have archetypal meaning for your customers or clients too.
Again to be clear…
“An archetype is a term used to describe universal symbols that evoke deep and sometimes unconscious responses. Archetypes are defined as recurring patterns of situations, characters, or symbols existing universally and instinctively in the collective unconscious of man.” Citation
When we use imagery that has universal meaning behind it we’re holding up little green flags for our audience that show that we’re the same as them, we think the same, we care about the same things. This is the very start of building up that ‘Know, like, trust’ factor with your audience.
When we add a layer to our branding that has deep meaning for us as the business owner, it means it’s more likely to feel right for us long-term. We do it once, we do it well, and we do it with meaning.
Take this Moth design for Helena Rose Photography; There is a layer of archetypal meaning with the design that like minded people will be drawn to.
The style of drawing, the witchy vibe of the elements, the Moth being a creature that is drawn to the light. This last point makes sense for a photography business where working with light is part of the skill of the art form. These are things that we intuitively understand as humans when we look at imagery, without really thinking about it.
And then we uncover the symbolism of what the design means for the business owner. It’s a deeper layer that might not always be apparent at first glance, but it’s important none the less.
Here the Moth represents the ethical and sustainable businesses that Helena works with; they are drawn towards the light in the sense that they are conscious of the how they impact the world.
If possible, we’re looking for something that works on more than one level, but you can always combine symbols together or weave meanings into other parts of your brand identity.
If you’d like to explore weaving symbolism into your brand identity with me you can can apply to work together in my Signature Branding Package called ?The Unfurling.
I was super excited when Anna Dunleavy got in touch with me about her branding via Instagram. We had been following along with each other for a while and I loved all the work she was doing. I knew she was a personal branding photographer and had recently set up her community – Fearless Hustle Collective.
Anna created the Fearless Hustle Collective to provide a supportive community of likeminded female creatives where everyone can help each other on the way to achieving their goals.
There are a few different elements within the Fearless Hustle Collective. There’s the super valuable paid membership club where Anna provides group coaching calls, monthly expert sessions, accountability calls, downloadable worksheets, and a closed Facebook group.
She also has monthly in-person meet-ups in Nottingham (UK), and a podcast where she talks to other business owners and creatives to share their stories and the nuggets of wisdom they’ve learnt along the way.
Anna felt that she was struggling to grow her reach because her branding wasn’t memorable enough and didn’t stand out. She wanted a look that other female business owners would feel connected and drawn to. Anna has a real spiritual side (like myself) so we were inspired by sun and moon symbolism and I dived deeper into other symbols and their meanings in parts of the branding too.
I also created the three sigils shown in the following images that incorporate the moon along with symbols of strength and support, clarity, and wisdom for each section of Anna’s business. A sigil is where you set an intention and then distill that message down into a meaningful image or design. The sigils feel like a tangible representation of the benefits of being part of the Fearless Hustle Collective.
After sending through the first brand design draft to Anna, she had this to say: “YOU HAVE BLOWN ME AWAY!!! The branding is everything I wanted and more. It couldn’t have felt more me if you tried! And I can’t tell you how thoughtful the sigils are. Thank you so much for all of your hard work. I’m honestly so so happy, and can’t wait to start using the branding. Thank you!”
I hit the nail on the head first time with this design and after a small tweak to the weight of some of the text, we were good to move onto collateral items such as business cards and blog graphic templates!
If you’re looking for a stand-out design for your brand please get in touch, I take on a very limited number of projects each month
Caro is an in-home family and newborn photographer who approached me via Instagram. She is also a passionate photography coach and mentor who is moving into the teaching world as another branch of her business.
With the shift in her services Caro knew it was time to update her branding so I created a bold, striking brand design for her that blends seamlessly with the stunning light and shadow play that is so distinctive in her photography.
Caro’s previous business name was Blue Cicada Photography – at the time of setting it up she was living away from her original home of Provence. Cicada’s reminded her of the summer months back at home and ‘blue’ came from the very unique blue of the Provence summer sky.
With a move back to France and a business that has evolved into teaching and mentoring alongside photography, Caro felt it was time to make her brand feel more like her.
She told me a story about how some types of Cicada’s stay underground in the dark until they shed the skin that has protected them while they were growing. Once that is done they come out into the sun and sing their hearts out. This is a beautiful metaphor for where Caro is at with her business – she’s ready to celebrate her hard work over the years and be the name and face of her business.
After reading this story I knew we had to keep Cicada imagery in Caro’s branding even though she was changing the name because it represents her business journey so well.
I put together the mood board below as a starting point for the project.
I combined hand-drawn Cicada wings with bold but refined typography that plays on the light and shadows that are a distinctive part of Caro’s photography. I overlapped the 2 hand-drawn wings to create the rectangular mark on the right shown below.
And below you can see a GIF animation of me creating the custom typography logo.
In the below submark, the word Caro is rising out from the circle to show that she is bringing herself to the surface. We chose colours that feel warm but dramatic to strike the balance between compassion and strength.
This was the very first concept I created for Caro following on from the approved mood board and she fell in love with it right away! She said: “It feels like you have materialised my vision…I feel elevated and energised!” To finish off, I also created some instagram templates for Caro, a business card design, and a keynote presentation for her training sessions.
Jess from Rosy Revolver contacted me via my website after finding me on Pinterest and we immediately knew we were a great fit for working together!
Jess is a Silversmith and a Jewelry Instructor with online courses – I studied some Silversmithing back during my college degree and so having some working knowledge of her industry meant I understood her business easily and intuitively.
At the beginning Jess said:
“I’m struggling to bring all the aspects of my business into one brand image – partly because I sell to jewelry consumers but also to other silversmiths. The one thing I know for sure about my client is that she’s highly create and individual… beyond that, I struggle with how to get started, finding the time to create the brand I know in my heart that RosyRevolver could be, and creating beautiful visuals that translate into the story that my jewelry and company try to tell…“
To unite all the parts of Jess’s business I created circular design that feeds into each of the logo varieties. It was so much fun to design with the wild rose theme and to make each design feel like a collection of trinkets – gathered, treasured, arranged.
Jess’s jewelry work is just like that – collections of repeating elements, sometimes including precious stones, vintage glass, African clay, and always with fine and sterling silvers.
She builds these materials into beautiful, wearable pieces that are bursting with stories to tell. It’s jewelry with heart and soul and history, ready for you to wear and layer with your own story and meaning after the many years you’ll treasure it.
Of course there was custom typography in this branding too – the little spiky thorns on the letters feed into our wild rose imagery. Jess has always had a rose motif within the branding for Rosy Revolver, we just shifted it to a Dog Rose – these wild plants grow by climbing up other plants and shrubs for support. This represents Jess’s online courses and resources and in person workshops where she helps others who have no formal silversmith training to create work they can feel proud of, supporting them through the process.
At the end of the process Jess said:
“I’m thrilled with the care and thoughtfulness Meg put into my brand design. Absolutely cannot recommend her enough – if you want something custom, curated, meaningful, and of the highest quality – Lemon & Birch is your best bet.“
To me, being visible in your business of course means being ‘seen’, but it also means being heard and understood. I’ll be honest, I’m not the most confident person, but I have found comfort in sharing who I really am through social media and my website because it has connected me to people that ‘get me’.
When you find those people that understand, those people that are on the same wavelength as you…that’s where the magic is.
Those are the work relationships that are going to make being self-employed both enjoyable AND profitable. Those are the people that are going to be loyal followers and buyers. Those are the people that are going to champion your business whenever they can – you make sense to them.
The only way you’re going to find these people is to BE VISIBLE in all your perfect imperfectness.
I know that how we are perceived by other people is something we all worry about. It’s natural, even the most confident people can’t help that. What I think is important though is to show up anyway, as our most authentic selves.
I grew up, as I think you reading this will have too, before social media was a thing. The people I saw on TV and in films were heavily stereotyped – one thing or the other, no in-betweens. What we learn as we get older is that people aren’t really ever one thing or the other. We’re all multi-faceted, ever-evolving, and endlessly interesting!
What I love about the internet and social media, is that it allows us to be seen just as we are. There’s no casting director, no one to tell you what to wear, what to say, or how to show up. Real people telling real stories. You write the script, you set the scene, you can be inspirational just by being your very own self.
On social media I’ve found people that look like me. People that don’t look like me. People that have a similar story to me, and people that grew up in a different country and culture. I’m friends with people that have disabilities, both visible and invisible. I’m friends with people who are on the same journey as me and I’ve been allowed an insight into journeys I might never have known about if those people had not been visible.
I learn every day about things from different perspectives to my own. Social media gets a bad rep, but I believe when it’s used wisely it helps us all to realise we’re more similar to each other than we think.
People buy from people, and when you are visible and you share yourself and your story, people get to know you. They root for you, they want you to succeed.
We really are in the ‘age of the small business’. People like you and me are choosing to spend their hard earned cash with other people just like you and me.
Be visible so that people can find your amazing business and connect with you on a deeper level.
Be visible so that the person who feels alone in their journey realises they aren’t as alone as they thought.
Be visible so that people understand why you do what you do and understand where your passion comes from.
Be visible so that someone who doesn’t feel pretty enough, or clever enough, or skinny enough realises that none of that really matters.
After having a brand photoshoot this time last year and starting to show my face more on my website and especially on social media, my engagement levels and the sense of community around my brand increased really quickly.
I also started sharing longer captions on Instagram just over a year ago alongside my images, sharing snippets of my business journey, snippets about my personal life, and just my general musings on business and my lifestyle.
Being visible can be as simple as sharing a picture of your workspace, or the beautiful view on your weekend walk. I truly believe that social media can help you grow your business when you use it as it was originally intended to be used and don’t just try to sell all the time.
However you currently feel about being more visible, I promise that it’s not as scary as it might seem. Start small if you need to, all those small steps add up. Most people are actually lovely and you’re very unlikely to get anything but love and support when you share more of yourself.
At the end of 2018 and start of 2019 I had a really slow season in my business. It was crickets, I had not had a new project enquiry in a couple of months and I had really started to panic.
I set my business up in 2016, but I did some full-time and part-time design agency work alongside it for a while. 2018 was my first solo year and I earned only half (about £12k) of what my full-time ’employed’ salary had been.
It all came to a head in January when I seriously considered getting a part-time job to supplement my income, or completely quitting altogether. I felt so lost and completely stressed out.
Thankfully, I didn’t quit. In hindsight we all go through slow seasons in business. Truth bomb – sometimes it’s our own fault. Sometimes it isn’t and it’s just the way the market goes, but sometimes it’s definitely our own fault. We can be our own worst enemies.
I realised that my own slow season had been my fault because I’d just been drifting along. I’d got too comfortable in the easy-ness of clients filtering through to my website via Pinterest and Instagram. I’d got lucky that my work had been popular on the two platforms and I kinda stopped working for it.
I hadn’t sent an email to my mailing list for months, and I had taken down my opt-in freebie – I can’t even remember why. Probably imposter syndrome about it not being good enough. January put things into perspective, and I realised that I love my work and owning my own business too much to quit and I just needed to find the magic again.
I needed to explore what I really want this business to become in the future and how I could start to be more intentional about the way I was working rather than just drifting along expecting the work to keep on coming to me.
Here are a few things that I worked on, and that you can do too to get the momentum going again if you find yourself in a slow period.
Most of us are really lucky to have family and friends as a support network, so do not panic. The mindset you’re in when you’re panicking is not helpful to anyone. You’re not thinking clearly or rationally and you’re likely to start looking up jobs at the local Aldi like I did. I’m sure working at Aldi is lovely, but you’ll have much less time to do the work you love. Maybe a part time job is the answer, but it doesn’t have to be the only way.
Ask for help if you need it. Paying bills is more important than your pride.
Instead of panicking, sit down and work through some numbers. How much have you got in the bank, how much do you need, what bills are due soon? Facing the numbers head on is the only way to move forward. How much do you you need to earn for the year to be comfortable?
Work backwards from that and see how much that equates to each month. How many products do you need to sell to hit that, or how many projects do you need to book in?
As a small business owner you probably have some kind of accounting software (I use freeagent* – it predicts my tax bill, my bank transactions get added automatically and I can file my self assessment return directly through it ?) or an accountant, but I find it’s good to have a separate spreadsheet somewhere on my computer where I simply track my cashflow each month – the money that is actually coming into my business bank account.
At the top I write my income goal for the year, along with a stretch income goal. I write Jan-Dec down a column on one side and add up exactly what goes into my bank account each month and write the values in the next column. I can see at a glance how far along I am to hitting my yearly goal each month.
Accounting software is fine and necessary for logging business bills and invoices and you can pull reports etc. but there’s just something different about having a super simple spreadsheet that I open often which gets me used to looking at my numbers.
Remember to work out how much tax you’ll owe on your income goal and have that value written somewhere so you can set money aside accordingly.
Because I book projects a few months in advance I ask for a deposit to book, and then ask for two payments during and at the end of the project. I have a section on my spreadsheet where I write how much each client is owing so that I can add all that up and see at a glance what is projected to come in over the next few months or for the rest of the year.
Again, all stuff my accounting software or project management software can do, but the act of typing it all in and looking at it on at least a weekly basis means I am more intimately aware of my money situation. There’s also a section with my (small) credit card debt – the act of reducing the number each time I make a payment makes me feel good.
Seeing all these various numbers together in a file I can just open quickly has majorly helped to keep me on track and stay motivated this year. If less has gone into my bank account than a previous month it’s in the forefront of my mind rather than buried somewhere in my accounting software.
I’m not saying you need to become numbers mad because there is much more to life, but do look at your numbers often. I also feel like it’s a bit of a manifestation tool, but let’s not go into detail about that in this post!
Here’s the thing. It’s a bit weird to talk about ‘owning’ people, but, you do not ‘own’ your Instagram or Facebook following. They are amazing places to build community around your brand, but if one of them goes down forever, or your account gets hacked and you lose your following, where would you be?
This is something I am still learning myself, I rely heavily on Instagram for business, but we all need to make sure we have a business and a community outside of these platforms. Your email list is important because it’s a list if people that have let you into their private inboxes.
You can export that list of emails at any time and move to a different email provider. See the difference? These people are really valuable to you, so nurture them.
During my slow season I created a new freebie download for people who signed up to my list. I made sure it was really valuable and jam packed with information and I released it to the world. I said “not today, thank you” to imposter syndrome and just did it.
I placed the ‘download my free branding guide’ button in prominent places on my website and I promoted it (and continue to promote it) on Instagram, Pinterest, and Facebook.
Social media is fun and necessary, but try and use it to drive people onto your website and email list as often as you can, rather than just being happy with a growing social following.
With an increasing email list comes the need to nurture that list. Most mailing list providers will allow you to set up a sequence of emails that get sent out automatically when people sign up at any interval you choose. Set up a sequence of emails with some valuable content that goes out automatically, and then email your list at least once a month with updates and helpful things to build that sense of community with your audience directly.
A sure-fire way to get people talking about your business and create a buzz around your brand is to provide a top-notch client or customer experience that wow’s people. It’s not just about delivering a great end product, it’s about each touchpoint with your business being professional, or beautiful, or personal – whatever suits your brand.
For me this meant making booking easier, especially for oversees clients where it’s not as easy to just bank transfer money, and thinking about how I could better explain the process to clients in the beginning. I set up a template web page with all the information they would need for their project once they’ve booked in.
Now I duplicate the template page, change names and timeline dates etc, and send the link off to them. They feel that they have a personalised, dedicated space where all their project info lives and I also add all the work I do to the page so that it’s always in the same place and no one has to go hunting through emails to find things.
I did some research and got my brand discovery questionnaire up to date so that I’m asking the right questions at the beginning of projects – this means I can deliver thoughtful and well considered design work that hits the mark more often than not on the first concept.
If in doubt, research, refine, and improve. None of the changes I made to my client process cost any money – just my time and effort which I had plenty of during my last slow season ?
Got projects you’ve done but not blogged about yet? Get those case studies up on your website and promote them like crazy. Research what other people in your industry are blogging about, don’t copy, but it should at least give you some ideas of what you could blog about yourself.
New blog posts means there is new content on your website which Google likes. I am no SEO expert, but what I do know is that the Internet likes websites that are kept fresh with interesting new things to read. Don’t let your site get stagnant, even rewriting your homepage or services page is helpful.
Repurpose content you’ve sent out to your email list into blog posts. Repurpose instagram posts on the same subject into a blog post. Whatever you can do to get more content on your website, do it. Promote. That. Content.
Think about spending a little bit of money on a website audit if you need help. It doesn’t have to be expensive and sometimes you just need a helping hand. You can get pointers on what to improve with the user journey and the flow of the site. There is a lot of information out there on the Internet about SEO, do some research and try to improve things yourself, or speak to an SEO expert.
All these things that I worked on helped to build my confidence back up. I gathered momentum and soon I was receiving lovely replies to my newsletters, people were enquiring about working with me again, and I managed to book projects in for the remainder of 2019.
Remember that nothing changes if nothing changes. Do the work, try something new, and stay positive.
There is no rule book for running a business and there are always so many questions circling in your ahead about what should be a priority and what should be put on the back burner.
To a new business I would say that brand design should be high up on the list of priorities if there is the budget to go professional first thing. For a more established business though, how do you know when the time is right?
Maybe you have been in business for a few years and feel much more set on the direction you’re heading in, or maybe you’ve been in business for a long time and have a niggling feeling that something needs to change.
If that seed has been planted in your mind and you’re at least considering it, it probably is time, but let’s go over a few signs so you can get a clearer picture.
Sometimes that font that seemed to suit your brand perfectly in the beginning just becomes a nightmare to work with. A very fine or thin font won’t have a big impact and when reproduced at a small scale it might well become unreadable.
Fine lined fonts also don’t translate well in a number of other situations – if letters are not thick enough there may be problems with things like hot foil or letterpress stamping, spot gloss printing, screen printing, signage, embroidery – any time that you want to reproduce your logo on products or stationery.
If you want to grow your business and want to be able to use your logo in a wide variety of situations it’s definitely time to rethink your brand design.
There is a difference between incorporating an element or design tend that feels authentic to your business and having a logo created in a certain style because that is what everyone else is doing.
For example, botanical and floral themed branding is still having a majorly popular moment, but as long as florals and botanicals fit with your brand vision and values then it’s perfectly ok to use them in your branding. Just having a floral logo because it looks pretty however may feel restricting in the future, and you might find that you grow out of it quickly.
Every design decision should be backed up with meaning so that the final outcome is truly tailored to your business – you’ll find that it feels timeless and authentic even though there might be ‘popular’ elements incorporated.
Perhaps you only have a logo rather than a full brand identity. Chances are that things don’t look cohesive and that might be holding you back.
Think about how larger brands look, they have set colours, fonts and styling for their products, stationery, website, and social media. This cohesive and intentional look is absolutely within reach for you when you work with a professional designer. Make sure your designer provides a style guide at the end so you can stay consistent going forward.
If your business has pivoted and the direction you’re heading in has changed or become more clear, or you have new product offerings, then it’s definitely time to rebrand.
Your brand design should be rooted in your vision and all those things that matter to you and your customers. When that alignment isn’t there you can end up with a confusing and inconsistent message which can turn off potential customers.
You might just have a niggling feeling that something doesn’t match up and if you’re unsure, please get in touch with me here for some friendly advice.
This almost goes without saying, but a business name change is the perfect time to review everything and as mentioned in the previous point – make sure your message is still consistent. A name change often signals the start of a new chapter and your current logo design is probably more suited to your old business name – simply changing the words used within the logo might not be enough.
If you’ve identified that you want to target a different type of customer, a rebrand should definitely be high on you list of priorities. Good design can elevate your offering and connect on a deeper level with your ideal customer.
Customers buy from you over someone else offering something similar because they feel an emotional connection to your business and product. Brand design and your visuals are a huge part of triggering that emotional reaction. Please also consider refreshing your brand voice and hiring a copywriter if you can in this instance, words and visuals go hard in hand here.
Before we dive into the elements that make up a strong brand, let’s first recap what a brand actually is. It’s a big buzz word, but what does it mean?
What is a brand? In simple terms, your brand is what you mean to people, or what your business means to people. It’s not your logo or your colour palette, it’s more of an abstract thing. it’s the substance below the surface of all the visuals – without substance and meaning, your logo is just a pretty book cover.
Your brand is what your customer thinks of when he or she hears your business name. It’s an experience that’s not repeated by any other company they interact with, and is guided by a set of values that they understand and that resonate with them.
There are 7 basic attributes of a strong brand – when you get these right your brand will naturally flourish. You may currently be strong in many of these areas and need only to tweak a few in order to grow the number of loyal fans and customers you have!
“If you confuse, you’ll lose.” ~ Donald Miller That quote is a pretty blunt way to put it, but it’s true. It can be tempting to use flowery language to describe what your business does and what you stand for. In reality, people have perhaps already spent their daily quote of brainpower elsewhere that day – they don’t have the time to decipher your meaning.
It’s so important that they understand what you do quickly and with ease. As soon as they feel a little confused, or that they need to use some brainpower, they’re likely to leave your website, shop, Instagram profile etc.
Assess the way you talk about your business everywhere. Ask a friend or family member, or better still, a customer. How can you simplify things? Do you describe your business the same way everywhere? Make sure you use simple language that’s free of jargon.
Not everyone is your customer, so you do not need to appeal to everyone. You just need to be relevant to the right people and understand how you help them with your product or service.
Do you understand your customers’ situation and where in their life or day you come in for them? Make sure the messaging and content you share is relevant to them.
Sometimes it might feel like you’re repeating the same things over and over but I assure you, the repetition is necessary to help strengthen your brand.
You must have something that makes you or your business different to your competitors and makes sure you highlight it often. Maybe it’s the way you create or manufacture your product, maybe it’s how or where your materials are sourced from. Maybe it’s a personality trait and the way you show up on social media.
Your unique mix of brand values and the reasons you do what you do are also a differentiator. Point out or illustrate your differentiators often so that they stand out in your customers’ mind.
Make a list of the ways you and your business are different and start weaving them into your messaging and content.
When you’re truly passionate about your product or service it’s plain to see. I think this is the area that most small businesses have no trouble with. We’re all here because we’re passionate about what we do, right?
Making a success of your business is hard – you must have passion in order to move past the knock-backs and the things that go wrong and keep ongoing.
It’s important that your people believe that you’ll deliver on your brand’s promise. There are many ways you can increase your credibility, such as:
The reason that social media is such a valuable marketing tool now is that it helps your business to be more visible. You can pop up in the news feeds of your followers on a daily basis, keeping you front and centre in their minds.
People are much more likely to buy what you’re selling after they’ve interacted with your brand multiple times. Having social media accounts and a mailing list so you can pop into the inboxes of your customers are both so valuable for visibility of your brand.
Visibility of you as a person also counts, showing the face or faces of the people behind the brand. People buy from people, they want to get to know you and hear about your story.
Last but definitely not least, we have consistency. I cannot stress enough how important it is to be consistent with everything you do. I’m not saying you cannot pivot or fine-tune things, you absolutely can and should as you get further along in your business journey, just build that consistency back up again. If you take nothing else away from this article, make ‘be consistent’ your mantra!
I have questions asked of me over on Instagram often by fellow designers as well as small business owners. I always make a list of the questions I get asked so that rather than just answering once, I can create blog posts like this that help more people with the same questions! I also have some digital products and online masterclasses in the works right now so keep your eyes peeled for those launching in a few months time.
If you’re new to the world of branding, or are a designer looking to learn more about what the ‘best practices’ are when designing a brand identity for a client, I really hope the following tips are helpful to you. As I said, digital products I’m creating at the moment will expand on all this knowledge, but in the mean time, here are 4 ‘best practices’ for creating a brand identity design.
During the research phase when you’re gathering imagery to inspire the look and feel of the brand identity, it can be tempting to only look at other logo designs that have already been created. Worse still would be to look at only logo designs from the same field of business.
Of course you need to know what else is out there in the field of business you’re creating the identity for, but there is SO MUCH MORE to see, and I don’t just mean on Pinterest. Really dive deep and think about the story of the business owner and their journey to where they are now.
Are there little ‘story’ elements you can pick out, are there themes you can build on, are there any images that come to mind when you’re reading all the information your client has given you? It’s important that a logo design has elements that feel familiar and not totally ‘out there’ but that it also feels like it has something ‘new’ to offer.
The most original designs come from combining different inspiration sources together. For example, combining a style of typography or text layout you may have seen in another logo design with some interesting angles or shapes inspired by a tiled floor pattern that gave off the right vibe for your clients’ brand.
It’s important to know what the future goals of the business are so that the new design can be aligned with this. You brand for the future of the business, not the past or present.
If the business is looking to expand in some way, an objective of the new brand identity might be to diversify the overall design so that there is scope to add more product lines or service offerings. More design elements might be needed for product packaging, or set colour combinations for each new service for example.
If the business is looking to target a slightly different customer or an additional type of customer, an objective of the new brand identity might be to elevate the overall feel of the brand to bring it in line with the revised target market.
Always discuss goals and objectives so you have a marker on which to judge the effectiveness of the new brand identity.
There may be more than one font used within a logo design, but the main typeface or font used should not then be used in other parts of the branding like for headings.
There are always exceptions to the rule – sometimes if your logo has illustrative elements or has had lots of customisation done to the text, you could feel that the same font is going to work best for headings. However, as a ‘best practice’ try to find a heading font that blends nicely rather than using the same one – or at least use the logo font very sparingly. This will make the overall brand identity look and feel much more professional.
In addition, you might think that adding more elements to a logo design will make it stand out more, but this just makes things complicated. The best logo designs have one or two ‘wow’ elements (this could be an illustration and custom letters in the text for example). Don’t try to add too many ideas into your design so that it becomes confusing or too busy.
Make sure you think about (or talk about with your client) all the places the brand identity and logo’s might be used. If you go ahead and start designing using a really thin weight font in part of the logo and then it’s decided that the logo needs to be letterpress stamped onto stationery, it can be impossible to make a stamp at certain sizes to get the desired printed result.
Similarly if the logo is going to be blown up very large onto a shop sign, make sure it’s going to look perfect at this larger size! Hand drawn elements can sometimes be tricky at larger sizes and may need a bit more tidying up so they don’t look too messy.
Another example would be involving colours – some blues and turquoises don’t replicate well from screen (RGB) to printing (CMYK) and you may need to use Pantone printing to replicate the correct colour. Same with neons – spot colour printing is the only way neons are possible in print. Make sure your client is aware of any colour printing limitations if they are keen to use colours that might present problems and try to explain Pantones and spot printing if you can.
I hope these tips have helped you get clearer on some aspects of designing a brand identity. As ever, if you have any questions for me or things you’d like me to cover please do send me an email at email@example.com – I’m always happy to help!
When creating a logo design either for yourself or as a designer for a client, in some cases, all you really need is some unique typography to bring things to life.
Sometimes it’s best to keep your logo design type based so that you can bring in illustrative elements in other parts of the branding like on product packaging or as elements to build into a website design.
Or, you can combine typography with other elements to take your designs to a whole new level.
There are so many amazing things you can do with typography alone to make it unique and interesting, so I’ve pulled together my top 6 ways of being creative with type for you!
All of the examples below are my own work and have been created inside Adobe Illustrator (or as a combination of the Procreate app on my iPad and Illustrator on the computer).
The same effects could also be achieved in Affinity Designer which is professional design software that only requires a one-off purchase and works out much cheaper than Adobe Illustrator.
Typing onto an open or closed path in Illustrator is such a fun way to bring movement and fun into your typography!
In this first example for Tea and Crafting I’ve used this effect in each part of the text. For the main logo typography in pink, I created a wavy path with the pen tool and typed onto it. Then for the tagline I’ve typed onto a circular path.
The second word of the business name here was much longer than the first, and so adding the tagline in a circle to the left balances things out.
In this submark example for Susana Torralbo I’ve typed onto two wavy paths to create a playful and energetic look. I created a few different text layouts, then sent these layouts to my iPad Pro and opened them in the Procreate app – this allowed me to draw the faces around my typography so they fitted perfectly!
I drew in black at a high resolution, sent the png image back to my computer, ‘image traced’ the faces to turn them into a vector, and combined them with my wavy vector typography.
In this last example for Kate North Kinesiology, spirals were a big part of the brand design concept. To create this unique looking submark I carried the shape of my spiral vine on and typed onto the path I made. Simple but effective and it fits in so well with the rest of the branding!
Sometimes you’ll find a font for a logo design that feels like it is almost perfect…but there’s just something missing. In this case, think about how you add add to your letters to create the exact feel you’re looking for.
Maybe this means cutting bits off letters from another typeface and adding them into the typeface you want to use. That’s totally ok to do and is a lot of fun! To find what works you’ll need to spend the time playing around with different things.
You can also try adding illustrative elements either by drawing them or adding details with the pen tool in illustrator.
In this first example for Folk Rose Beauty, I found two typefaces that I liked for the design and wasn’t sure which was going to work. In the end, I took those curved embellishments from one typeface and added them to the other to create the perfect balance.
I also drew in some dots and the other detail on the K to add some more interest to the other letters. It’s important to not go overboard with adding your embellishments, they don’t need to be on every letter! 🙂
In the example below for The Prairie Wellness Co the font I’d chosen was very minimal and I knew we wanted to include some Prairie wildflowers in some parts of the branding.
It looked like far too much to add flowers to every letter, but the word Prairie was luckily the perfect length to add flowers to every other letter! I took an image of my typography into Procreate on my iPad to draw the florals, then ‘image traced’ the flowers to turn them into vectors.
When you need to create something really unique you can try combining uppercase and lowercase letters, or perhaps regular and italic letters. You’ll often need to work hard on the layout of these letters to make sure things look balanced and are readable.
In this example for Susana Torralbo it took a while to combine things in such a way that the text was readable still. All you can do is keep combining things in different ways until the composition feels balanced. Also notice ‘Torralbo’ typed onto a wavy line from my first tip, this follows through the the submark design.
Ask other people whether it’s readable still! My husband is a great help to me, he’s not a graphic designer and so he sees things in a different way. He can instantly tell me if something looks forced or if the text is no longer legible.
In the example below for Caro, I’ve spliced a couple of fonts together, created a completely new letter A, and combined them in an interesting way for this secondary logo. Having the A almost italicised and having the straight line on the right created some nice symmetry with the letter R which makes this layout work. It also works well with the text being laid out in a straight line for the main logo.
Don’t freak out when I say that, we’re not talking about creating your own serif typeface here. You can create some pretty awesome typography just with monoweight lines in illustrator.
For this example below for Artificially Intelligent Claire, I couldn’t find a typeface that had the right balance for her brand. So I created my own letters just using lines and those little squares. There is so much you could do with this especially for a brand that will suit a minimal type design and it doesn’t only have to be for techy brands like Claire’s.
Don’t feel like you need to go overboard with the type customisations each time. Sometimes all you need to do is make some minor adjustments to your letters.
In the example for Louise Howarth below I disconnected the middle line of the H and A, and edited the curve of the letter R. The design is super simple, and there were other logo versions that provided some more visual interest. To create a ‘high-end’ logo less is always more.
Similarly with the Balance Hot Yoga logo below, I changed the middle line in each letter A to point upwards. This made me think of a yoga pose in a very subtle way and was enough to make the logo typography unique when paired with other elements in the branding.
This can work nicely with so many different types of fonts. Some typefaces will have extra glyphs or ligatures (in Illustrator go to Window > Type > Glyphs to access the panel that will show you any extras that came with your font) where letters are already combined for you, but you can have some fun with combining things yourself too.
In the example below for Huma Qureshi I’ve combined the U and M in the first name – be careful with customisations this and make sure each letter is still legible in it’s own right! I’ve also combined the A and H after I lined them up to fit perfectly together, play around with your spacing to see if you can get things to line up.
Again, ask others who aren’t aware already what the words say if you’re unsure if you’ve gone too far with your design.
In the example below for Brilliantly Visible, I used some extra glyphs that came with the font but customised them to fit those little dots underneath the L and E.
I hope this has given you some fun ideas to play with for your next project. Remember to always seek balance with your typography logos and to not go overboard with embellishments and customisations. You never want your work to feel forced. Always ask for a second opinion if you’re not sure if things work 🙂
Find me over on Instagram at @lemonandbirch if you need advice on your typography!
When creating a brand design, either for yourself or as a designer for a client, the most important step is getting the right information down on paper at the beginning. Talking on the phone or in person is sometimes important too, but a paper questionnaire allows time and space for reflection.
I don’t work with clients who come to me with a brief as such. They may have some ideas about the direction they want to go in which is great as a starting point, but I’m always wary of working with a client who wants to dictate exactly what they want their logo to look like.
Many graphic designers prefer to have a set brief to guide them and for some clients that is exactly what they want to give and that is fine of course. But the way I like to work is to gather lots of information in the beginning and then let that information guide me on the design choices I make. I’m guided by the persons story, how they got to where they are, and I’m always trying to infuse as much meaning into the brand design as I possibly can.
This is not to say that the client has no say in where the design goes – of course they do! The difference though, is that they are hiring me as a branding expert to steer them in the best direction for their brand. A direction that feels true to their business and who they are, and a direction that will also appeal to and make sense to their target audience/ideal clients.
And so, I thought it would be helpful to show you how I peel back some of the layers with the questions I ask my clients at the very beginning of their projects.
The important things to remember is that the person you’re working with probably doesn’t know the information you need in order to create a meaningful design for them. You are the expert, so you need to guide them.
And if you’re not a designer but are looking for someone to work with you on your branding, hopefully this will help prepare you for the experience a little!
Maybe this sounds like a super obvious question, but it really is necessary to ask it. Like I just mentioned, your client might not realise that this would be really useful information for you to have.
If your client is using their personal name for their business then maybe this won’t give you any nuggets of wisdom, but if they have chosen something other than their own name it can give you a wealth of information to start with.
An example of where this simple question really paid off for me is with a recent client of mine – Caroline, see her website here.
When Caro first booked in with me her business was called Blue Cicada Photography, but she wanted to rebrand to bring herself more into the centre of the business. She wanted to rename the business to her own personal name, the short and sweet ‘CARO’.
On the surface it didn’t seem like there would be any meaning to find from asking the question, but upon reading Caro’s questionnaire she surprised me with some beautiful information that really helped steer the direction of the project.
An extract from Caro’s questionnaire is below:
Is there any special meaning behind your business name?
There is [meaning behind the name Blue Cicada Photography] but I feel that I have moved on from there and that my business has evolved to be more about me.
It’s funny because recently, someone pointed out that cicadas stay in the dark until they shed the skin that protects them as they are growing.
Once it is done, they go in the sun and sing their heart out. I feel like this is me now. Enough staying in the “dark”, I feel more ready than ever to celebrate my business, who I am, what I can do and the skills that I have been working on for the past 20 years.
After reading this I knew straight away that although the Cicada was not going to be in Caro’s business name anymore, the imagery was still something I wanted to explore and perhaps keep in the new branding because it represented the history and story behind Caro’s business.
So this is a few questions in one, but sometimes I like to ask questions in groups to get my client thinking about not just each question, but how each question/answer interacts with each other. The three questions are separate, but they are also linked and there is probably some crossover in the answer for each.
I also mention that these questions might warrant a long answer and I make sure to say they can write as much as they like which allows the client to feel a bit more free.
Asking the questions together is almost prompting them to reflect and think more deeply and answer in long form rather than with a couple of sentences.
I love reading this section of the questionnaire the most because it really helps me to understand the persons history and the driving force that lifts them. Often, because the answer is longer than a paragraph I can pull out or highlight small sentences that feel like they could take me somewhere – as in they might be a starting point for imagery to explore for the logo and branding.
An example is a simple sentence I got from my client Katie when she was explaining her story is “I love the magic of translation” (she is a translator and copywriter). This gave me the idea that we could add a sprinkle of magic into the branding, nothing over the top, just a little something extra.
I don’t particularly like the word ‘competitors’ because I think if you have a strong and defined brand then the notion of competitors sort of fades into insignificance. Your brand can be so unique that for your ideal clients or customers, you are the ONLY choice for them to go for. I can write much more on this subject so let’s save that for another blog post!
The word competitor is easily understood by all though and most people will have a few businesses that they know they are somewhat similar to, so I do use it in this question.
Asking follow up questions like ‘What are they doing well/not so well’ helps me to understand what my client views as ‘good’ and ‘not for them’ in terms of business and branding. It’s always so interesting to see the answers to this question and it really helps to know who we need to differentiate their business from.
Often, clients might say a business is similar to them in terms of services, but they want to have a much different feel to their brand so that they’re attracting a slightly different customer. They may often describe this other businesses brand in words and so it gives me a benchmark and an understanding of what words they use to describe different ‘vibes’. This is really helpful because words sometimes mean different things to different people.
After working through all the answers my client has given me, having pulled out various snippets that stand out, I will head over to Pinterest to begin to find some imagery that feels like it matches with all the information and come up with a visual direction for the branding.
This is such a fun part because I will get to try various combinations of colours and imagery to see what feels right. This is where words lead to images and images lead to more images and I’m sent down a wonderful rabbit hole!
I try to look for inspiration not just from branding that has already been created, but from other sources, like book covers, magazine layouts, beautiful artwork, tiled patterns, interior decor, and nature (to name just a few).